I am so excited to begin a new series for True Classics: Sci-Fi Sundays!
I love classic film, and I love sci-fi. So it’s only logical that I share my love of these genres by bringing you a new series dedicated to classic cinematic works of science fiction.
To kick off the series, I’ve reviewed one of the staples of this genre: the 1956 treasure Forbidden Planet.
“In the final decade of the 21st century, men and women in rocket ships landed on the moon. By 2200 A.D., we had reached the other planets of our solar system. Almost at once, there followed the discovery of hyperdrive through which the speed of light was first attained and later greatly surpassed. And so, at last, mankind began the conquest and colonization of deep space. United Planets Cruiser C-57-D, now more than a year out from Earth Base on a special mission to the planetary system of the great main sequence star, Altair.”
Forbidden Planet is the story of the crew aboard a spaceship, who travel to a distant planet in order to investigate a group of scientists who disappeared there twenty years prior. Upon their arrival, they discover that only Dr. Morbius (Walter Pidgeon) and his daughter, Altaira (Anne Francis), remain alive. Altaira has never known men other than her father, and is thus delighted to meet the young crewmen.
Does this plot sound familiar? If so, you’ve probably read Shakespeare’s The Tempest. The plot is loosely based on the Shakespearean drama, but don’t worry if you can’t recall the characters and story of the play; it won’t take away from your enjoyment of the film. The parallels do start to diverge, however, and take on an intriguing science-fiction twist, when Dr. Morbius explains that the rest of the members of his expedition (save his wife, who died of natural causes) were killed by strange, invisible forces on the planet. The crew learns that the previous inhabitants of the planet were a species known as the Krell, who brought about their own demise with their technology to create beings and objects using the subconscious mind.
(If you haven’t seen the film, you can watch the original trailer here.)
If I had to choose one word to describe this film, it’d be the word “fun.” It’s not the most intelligent word, and it’s not going to win me the Pulitzer, but it adequately sums up my motive for watching this film over and over. Robots, spaceships, a Shakespearean plot, Leslie Nielsen; what more could you ask for?! In fact, this film inspired many other sci-fi favorites, and one big one in particular: Gene Roddenberry reportedly stated in his autobiography that Forbidden Planet influenced his concept for the TV series Star Trek. That influence is certainly obvious in “The Cage,” the pilot episode.
There are striking similarities in the plot; in each, the crew aboard a spaceship travels to investigate a distress signal from a distant planet where they discover an alien race that has the ability to produce terrifying illusions.
Considering the time in which it was produced, the visual effects in Forbidden Planet are impressive. In fact, the film was nominated for an Academy Award for Best Special Effects for scenes such as this:
… and this:
You can take a tour of the underground Krell laboratory, and get a better understanding of the magnitude of the highly-praised special effects in this film by watching the clip below:
Although Disney animators rarely worked on outside projects, designer Joshua Meador was loaned out from the studio in order to create the Monster from the Id, who was responsible for the murders on Altair IV. The monster was invisible except when attempting to pass through the force field created by the crewmen:
The producers of the film were initially wary of the experimental score for the film composed by Louis and Bebe Barron, which was made up of only electronically-generated sounds with no conventional instruments, and so they conducted a special preview. The film was such a hit with the preview audience that the producers would not even permit editor Ferris Webster to make a final cut; instead, they released the film in its “as is” state. Filmmakers also reportedly simply cut part of the last scenes in order to speed the progression of the film, hoping that audiences wouldn’t notice the awkward transition.
Although the original plan for this movie was to create a B-list, cheap sci-fi, it was saved by MGM’s decision to make it their first large-scale science fiction film. The studio poured over a million dollars into making the film. They hired Cyril Hume, actual descendant of philosopher David Hume, to work on the script. Perhaps most importantly, they spent a reported $125,000 to build the lovable and iconic Robby the Robot:
When Brandie described this film to me as “Shakespeare in space,” I instantly knew I would love it, and my instincts were correct. Not only does it have a fun murder mystery plot, but it’s packed with literary references and studies into the subconscious mind. Granted, the pacing of the film can be a little slow, but the surreal scenery along the way is enough to keep one interested long enough to enjoy the payoff at the end of the film.
To celebrate the first installment of Sci-Fi Sundays, we’re giving away a DVD copy of Forbidden Planet! Entering the contest is quite easy: I’m going to ask a trivia question below, and if you know the answer, email us at trueclassicsblog (at) gmail dot com by 11:59PM EST this Wednesday (August 7th). DO NOT POST THE ANSWER IN THE COMMENTS. If you are correct, your name will be entered into a drawing to win!
And now for the contest question for my fellow Whovians:
What is the title of the episode of Doctor Who that was based on the plot of Forbidden Planet?
Contest rules: contest is only open to residents of the United States and Canada. We will contact the winner via email and he/she will have 48 hours to respond with a mailing address. If the winner does not respond within the designated time period, another winner will be drawn.
Good luck! And make sure to check back later this month for another installment of Sci-Fi Sundays.