“Daughters! They’re a mess no matter how you look at ‘em.”

Trudy Kockenlocker (Betty Hutton) has a slight problem. Our unlikely-named heroine is a young, pretty, slightly empty-headed girl, and all the handsome young men are headed off to war. They invite her to a dance; she accepts. But her stern father, the town constable (William Demarest), forbids her to go. Undeterred, Trudy calls up her…

betty in blunderland

The early days of animation at Paramount, courtesy of the Fleischer brothers.

By 1927, Adolph Zukor, the Hollywood mogul behind the rapidly-expanding Paramount-Famous Lasky Corporation, had built a veritable entertainment empire. The studio had moved into a new, multimillion-dollar twenty-six acre lot off Melrose Avenue. They had amassed a chain of nearly two thousand theaters across the country, called Publix Theatres, in which to screen their many…

from a to zzzz

Celebrating 100 Years of Chuck Jones: From A to Z-Z-Z-Z (1953)

Ralph Phillips is bored, bored, bored. While his schoolmates mindlessly chant their math lesson (“Two and two is four. Four and four is eight …”), Ralph stares dreamily out the classroom window, imagining himself as a bird, flipping and flying freely through the sky–until his reverie is rudely interrupted by his teacher. She, for some…

rabbit of seville

Celebrating 100 Years of Chuck Jones: Rabbit of Seville (1950)

Seven years before Bugs Bunny and Elmer Fudd dueled their way through a hilarious take on the music of Wagner in What’s Opera, Doc?, the duo tackled Italian composer Rossini in 1950′s Rabbit of Seville.  Rabbit of Seville is the brainchild of director Chuck Jones, writer Michael Maltese, and frequent Warner Bros. composer Carl Stalling. Stalling was,…